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Inside
the
Winter Issue:
Home
Page
Season's
Spinnin'
Around Again
Behind the Song:
"We Are the World"
Ken
Kragen
Recalls Harry's
"Do Something" Motto
Relections
From
Harry's Mom:
An Interview with
Elspeth Hart
The
"Old Folkie"
is Still Singing,
Still Inspiring
Everybody
Has
a Goat Tale
The
Chapin Sisters
Head West; No Rush
to Strike Gold
Florida
Food Banks
Seek Support
After Extreme
Storm Season
Hey
Kids,
You Can Make
A Difference...
A
Photographer's
Perspective:
Harry in Concert
"Celebration
in Song"
Concert Helps Fuel
Fight Against Hunger
Pre-MTV
Video
of "Taxi"
Circle
Calendar
Click
to read
the Winter 2004 Issue
Click
to read
the Fall 2003 Issue
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The
"Old Folkie" is Still Singing, Still Inspiring
By Janis
Gibson
He's
the man with the banjo and the 12-string guitar.
And he's singing us the songs that tell us who we are.
When you look in his eyes you know that somebody's in there...
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Fred
Hellerman and Pete Seeger
Katonah, New York - November 13, 2004
Photo by Janis Gibson
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So wrote
Harry 25 years ago of the "Old Folkie," Pete Seeger,
who was one of Harry's inspirations.
At 85,
Pete is still going strong, as he amply demonstrated at a November 13
event at the Walkabout Clearwater Coffeehouse in Katonah, New York, where
he appeared with fellow Weaver Fred Hellerman and the group Work O' the
Weavers to discuss "Surviving the Blacklist" and "sing
a few songs." His rendition of "Waist Deep In the Big Muddy"
struck as deep a chord that night as when he first sang the song back
in 1967.
Prior to
the performance, Pete shared his thoughts in a conversation about current
political activism and community involvement. "There are heroic people
in every corner of the world, and good things are happening," he
said.
Pete said he likes to imagine the world as a seesaw, with a basket half-full
of rocks on one end, and a basket a quarter-full of sand on the other,
surrounded by people with teaspoons adding sand to the basket, even as
it continues to leak out. "We're getting more people with teaspoons
all the time," he continued, "and when the seesaw tips, there
will be those who wonder how it happened so suddenly. Of course, to keep
it tipped, we have to keep putting sand in."
Although massive gatherings such as Woodstock or the Newport Jazz Festival
aren't happening today, he noted there are tens of thousands of cultural
groups, theater groups, local festivals and various gatherings where people
come together in common interest and fellowship, "doing the good
work." As an example, he cited his town of Beacon, New York, which
has a strawberry festival in the summer and a pumpkin festival in the
fall that get larger every year, and expose those who come to a range
of causes and volunteer opportunities.
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| Photo
by Janis Gibson |
The danger
for many volunteer groups, he explained, is that a few hardworking people
do the bulk of the work. "You often have ten percent of the people
doing 90 percent of the work," he said. "That needs to change.
We've got to make volunteering fun and food, jokes and singing help
to do that."
He also stressed that the success of any organization depends on continually
bringing in new and young people, engaging them in the cause, "otherwise
the group suffers from 'founder's disease' and becomes a bunch of gray
hairs." He added that Harry did a "fantastic job" of bringing
the issue of hunger in America to his audiences, as is evidenced by the
continuation and growth of World Hunger Year (WHY). WHY, a national non-profit
organization that focuses on innovative solutions to hunger and poverty,
was co-founded by Harry along with Bill Ayres in 1975.
Upon hearing that a reporter had been inspired after seeing Harry in concert
quote Pete that "being around involved people meant being around
those with 'live hearts, live eyes, and live heads,' Pete looked a bit
quizzical. "I don't remember saying that," he said. Then breaking
into a large grin, he added, "But it certainly is true!"
Watch
for the Next Issue of Circle! on March 7
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